Bertha Nathalia Wanke’s (née Aurisch) wedding dress DJ1662



Bertha Nathalia Wanke’s (née Aurisch) wedding dress  DJ1662 - Blue Grey Silk Taffeta with bustle


On 15 April 1879, Nathalia Bertha AURISCH married Gottlob Immanuel WANKE.
They lived in Narre Warren

Her daughter, Adelaide, married William Friedrich BLOBEL.
William Friedrich Blobel was an orchardist around Templestowe. 

Adelaide's grandaughter is Barbara Sharp 

DTHS has no acquisition for for this dress so we do not know the donor or other specifics.

We have discovered that Gwendoline Adelaide Wanke married Kenneth John Aumann in 1949 and they lived in Templestowe.  It is possible that Gwen may have donated the wedding dress to DTHS.

Source: Beverley mMcArthur, Victorian Births Death & Marraiges, Barbara Sharp



  • AURISCH Nathalia Bertha
  • Marriage 1879
  • WANKE, Gottlob Immanuel
  • 2370/1879

  • WANKE Gwendoline
  • Marriage 1949
  • AUMANN, Kenneth John
  • 4713/1949

Victorian Births Death & Marriages





For Whom The Bell Tolled

MRS. BERTHA NATHALIE WANKE

As the funeral of the late Mrs. Bertha Nathalie Wanke, of “Hillcroft”, Narre Warren, left her late home on Monday of last week, the tolling of the old bell at the Harkaway Cemetery drifted across the stillness of the Harkaway hills, and continued until the lengthy cortege arrived at this burial ground of the old pioneers. It was the first time for many, many years, that the historical old bell had sounded, and its clear tones was a reminder to all that another of the district’s grand old pioneers had gone to her reward after a life-time of friendly and cheerful service. The late Mrs. Wanke, was a daughter of the late Mr. and Mrs. William Aurisch and was married at Harkaway at the age of 22. She lived all her 93 years on the property on which she was born and was a loving mother to her large family of nine sons and six daughters. Of these, six sons—Herman, Oscar, Arthur, Teddie, Bert and Harold—and two daughters (Mrs. Blucher and Mrs. Blobel) survive her. Every old-timer in the district seemed to be numbered among the large number of mourners at the funeral and the remains, in an oaken casket, were carried to their last resting place by four grandsons — Bob Wanke, Bob Reynolds, Gordon Blobel and Fred Blucher. The pall-bearers were Crs. A. G. Robinson, C. Greaves, and G. Rae, Dr. Percy Langmore, and Messrs. N. Beaumont, G. Wilson, G. Andrews and A. Kileye. Rev. J. J. Scott conducted the impressive services at the home and graveside. The floral tributes were magnificent. Funeral arrangements were in the hands of W. J. Gamar and Son.

Source: "For Whom The Bell foiled" The Dandenong Journal (Vic. : 1927 - 1954) 27 September 1950: 5. Web. 28 Mar 2026 <http://nla.gov.au/nla.news-article219304074>.




LATE Mr. I. G. WANKE

There has been removed by death Mr. Immanuel G. Wanke, of “Hillcroft,” Narre Warren, one whose life of 78 years had been admired. The call had come somewhat suddenly, and he had died, on June 24. On the Friday previously he had contracted a cold. From the outset it was severe, when Dr. Langdon, of Berwick, was summoned. Though everything which science could suggest was done to relieve him, he gradually became worse, until he peacefully passed away. He was the only son of Dr. E. G. and Mrs. Wanke, and was born at “Hillcroft” Estate, on May 24, 1856, where he had loyally remained. He had married Miss Bertha Aurisch, on May 22, 1857. Four years ago they two had celebrated their golden wedding, and there gathered with them a bright family circle. Throughout their lives they had shed a radiance which will make his passing deeply mourned. They wrought with infinite care and patience, and thereby created a home which is known far and wide. In the manufacture of cheese their farm was State renowned, whilst he acquired a fame for his product on the export market, which was of exceeding value. Mr. Wanke had rendered great aid, as a member of committee, both to the Mornington Farmers’ and to the Dandenong Agricultural societies, where his name frequently appeared among the prize winners. He was buried at Harkaway cemetery, when the service was conducted by the Rev. John Simpfendorfer, of Doncaster, and Mrs. John Grant, of Berwick, carried put the funeral arrangements.

Source: "LATE Mr. I. G. WANKE" The Dandenong Journal (Vic. : 1927 - 1954) 5 July 1934: 3. Web. 28 Mar 2026 <http://nla.gov.au/nla.news-article213863423>.

Note: THIS MARRIAGE DATE IS A DIFFERENT DATE TO THE 15 April 1879 date referenced in our article but I fully suspect the marriage date in the article is incorrect as the BDM record would certainly be correct.





The Gazebo

The Gazebo

The gazebo was built at the Templestowe Cemetery in 1900 as a waiting room and shelter for people attending funerals.


Gazebo is a pavilion structure, sometimes octagonal or turret-shaped, often built in a park, garden, or spacious public area. Some are used on occasions as bandstands.  In British English, the word is also used for a tent-like canopy with open sides to provide shelter from sun and rain at outdoor events. (https://en.wikipedia.org/wiki/Gazebo)
The word Rotunda (from Latin rotundus) is any roofed building with a circular ground plan, and sometimes covered by a dome. It may also refer to a round room within a building. A band rotunda is a circular bandstand, usually with a dome. (https://en.wikipedia.org/wiki/Rotunda)

In 1975 the Templestowe Cemetery Trust donated the gazebo to Schramm's Cottage where it was rebuilt by members of the Doncaster Rotary Club.

It now provides a charming accent among the trees on the north-east corner of the lawn.

Gazebo Schramm Cottage  VHD-47149



The gazebo kiosk at the Templestowe cemetery in about 1974 before it was removed in about 1975. It was used by mourners waiting for a funeral and for ministers to put on their vestments. Near the kiosk is the grave of Mary Adelaide Bourke and Joseph Leslie Bourke. Members of the Doncaster and Templestowe Historical Society moved the building to the grounds of Schramm's Cottage at Doncaster where they restored the original trellis. It is now the gazebo in the grounds of Schramm's Cottage. The kiosk was originally built about 1901. DTHS-dp0526  



Templestowe Cemetery Kiosk being rebuilt at Schramm's Cottage by members of Doncaster Rotary Club. These include Len Reid, Claude Symons, Doug White, Bruce Parker, Dick Phillip.  DTHS-dp0568



Templestowe Cemetery Gazebo in Schramms Cottage after being moved from Templestowe Cemetery where it had stood from 1900 to 1975 before being dismantled to make way for a Cemetery office building. DTHS-dp0812. Photo: Kay Mack. 2004



Gazebo erected in the grounds of Templestowe Cemetery in 2003/2004 after the office building was demolished and the office incorporated in the new chapel complex


The Gazebo from the Templestowe Cemetery

In 1900, at the suggestion of Mr. T Hunter, the Trustees of Templestowe Cemetery decided to build a pavilion. A hexagonal building was recommended with three sides weatherboards and the other three, lattice work with an asphalt floor. The building cost was 22 pounds 15 shillings and three pence.
At that time many cemeteries built hexagon buildings as shelters for visitors. Some of these were very elaborate with fretwork around openings and floors of decorative tiles.
Pavilions, kiosks, follies, summerhouses and gazebos were all names for variations of this kind of construction. Generally in Australia the word gazebo has been mostly used to identify buildings of this type.
In 1975, the Trustees planned a new cemetery office to replace the old pavilion which had been extensively altered to accommodate visiting clergy and for use as a storeroom. The Trustees presented the gazebo to Schramm's Cottage and the Rotary Club of Doncaster
rebuilt it in its original form on the North Lawn where it is today.

Source: 1999-09 DTHS Newsletter

The Gazebo 

The Gazebo at the top of the north lawn at Schramm's Cottage was built in 1900 at the Templestowe Cemetery. At that time many Melbourne cemeteries built hexagon pavilions as shelters for visitors, frequently these were elaborate with decorative fretwork around openings, metal lattice and patterned tiles on the floors. The trustees at Templestowe planned a hexagon building constructed with three sides weather-boards and the other three, lattice work, the floor to be asphalt. The kiosk as they called it cost, 22 pounds 15 shillings and three pence. 

This type of building is referred to by many names; pavilion, kiosk, summer house, folly or gazebo. The correct name is the Turkish word, "Kiosk". This name has come to have a different meaning and the best word that specifically identifies a building such as this in Australia, is the Spanish word, "Gazebo". A building to sit in and look around, or gaze about. 
When Schramm's Cottage was being set up the Trustees of the Templestowe Cemetery offered their Kiosk to the Historical Society for Schramm's Cottage for they were planning to construct a cemetery office to replace the old pavilion. It had been changed for use as an office, store room and changing room for visiting clergy. The Trustees had previously removed the weather-boards and lattice, recovering the walls with fibro cement sheets and added a lockable door. 

When Schramm's Cottage was being set up the Trustees of the Templestowe Cemetery offered their Kiosk to the Historical Society for Schramm's Cottage for they were planning to construct a cemetery office to replace the old pavilion. It had been changed for use as an office, store room and changing room for visiting clergy. The Trustees had previously removed the weather-boards and lattice, recovering the walls with fibro cement sheets and added a lockable door. 

Volunteers from our Society dismantled the building and moved it to the cottage where it was stored.. In 1979 the Rotary Club of Doncaster re-erected the gazebo. They built the floor of concrete and replaced the walls with weather boards and lattice as it had been originality constructed. 

Source: 1996-03 DTHS Newsletter



The Gazebo Collapses

In March 2026, the gazebo (which had been surrounded by safety tape for a few months due to its deterioration) collapsed.





We await the cleanup by the council.
A sad end to a long and valued history.
 







New Commemorative Plaque added to Schramms Cottage Garden

In March 2026, The Craig Neher Schramm family commissioned a commemorative plaque in remembrance of their ancestors.  

In the past, the ashes of Alix, Charles and Michael have been scattered in the Schramm Cottage garden.


Text reads:  IN LOVING MEMORY - ALIX MINNA LOUISE CRAIG, nee Neher - 7 July 1897 - 5 November 1979 (daughter of Rachel Eliza Neher, née Schramm, and Wilhelm Karl Neher) with her sons CHARLES LINDSAY CRAIG 9 July 1928 - 15 February 2015 and MICHAEL LINDSAY CRAIG 9 February 1931-20 November 2023 - Die Vogelein schweigen im Walde -


The quotation "Die Vogelein schweigen im Walde" on the plaque is borrowed from Goethe's poem "Über allen Gipfeln" (Wanderer's Nightsong II) often considered the perhaps most perfect lyric in the German language:


Über allen Gipfeln (O'er all the hilltops)
Ist Ruh, (Is quiet now,)
In allen Wipfeln (In all the treetops)
Spürest du (Hearest thou)
Kaum einen Hauch; (Hardly a breath;)
Die Vögelein schweigen im Walde. (The birds are asleep in the trees:)
Warte nur, balde (Wait, soon like these)
Ruhest du auch. (Thou too shalt rest.)


The plaque, created by Robert Starc of Melbourne Headstones, was placed at the edge of the garden adjacent to the kitchen.


Alistair Craig (Michael Craig's Son) beside the newly placed plaque with the bunya tree and the cemetery in the background. March 2026



Journey of Hope - Art Pyramid

Artwork completed 2025. 

Journey of Hope celebrates the shared human pursuit of peace, belonging, and renewal. Conceived through the lens of a migrant artist, this work stands as a visual and emotional testament to the stories that shape Manningham’s richly diverse community.


Rising in the form of a triangular pyramid (the strongest geometric structure in the universe), it symbolises peace, home, safety, and harmony. Each of its three faces features the image of a child representing kindness, innocence, diversity and harmony. They carry offerings rooted in Australian identity and symbolic of universal human values:

  •  bouquet of golden wattle, emblem of the land, grounding, resilience and growth.
  •  white cockatoo, messenger of hope, freedom and opportunity.
  •  little house, symbolising the warmth of home, kindness, and new beginnings.

The surface of the sculpture, rendered as an interlocking jigsaw puzzle, symbolises how each of our unique journeys contributes to a shared story, a story of migration and peace. Though shaped by different paths, we come together to build a stronger, interconnected community. It is a powerful metaphor for the migrant experience where no matter the languages or origins, it translates into a continual piecing together of memories, identities, and dreams into a unified and evolving whole.

This narrative is set against the vivid backdrop of the ocean horizon of Australia at sunrise, the piece conjures a journey across waters, continents, borders, and time into a land of new possibilities. The dawn sky, alive with radiant colours, suggests transformation, renewal, and the promise of a brighter day.

Though our reasons for migration might differ, born of necessity, ambition, or wonder; we converge in our desire and courage to find peace: inner and outer, personal and communal. These children are an invitation to reflect and revisit our personal journey looking not only into our present and future, but also our past selves.

This sculpture is not just a monument; it is a mirror. A reminder that in our diversity lies our strength, and that peace, while personal, is always shared with the world around us.

Location of artwork: Ruffey Lake Park, corner of Cricklewood Drive and Victoria Street, Templestowe VIC 3106

About the artist

Julian Clavijo is an award-winning artist based in Melbourne, specialising in mural painting and sculpture. His photorealistic murals blend spray-painting and traditional brush techniques. Nominated for an Oscar for Memoir of a Snail, he’s worked with major organisations globally and won multiple art awards. His work explores the transcendence of humanity, innocence and our intrinsic connection with the environment.